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Using Stanislavski with A Doll’s House
To take control of improvisation away from the actors
This mighty civilisation rose and fell with epic pace: it was wiped out almost overnight and then slowly rediscovered over several hundred years
It allows us to choose from three exciting texts to explore from a directorial view point (section A and B) and through review and research (Section C)
Blues OCR Using Stanislavski with A Doll’sBlues is a bit of an old chestnut at KS3, but for good reasons: its a convenient style for learning about chords and scales; its simple and somewhat formulaic nature makes it easy to perform and compose; and it lends itself nicely to vocal work and improvisation. Here we have tried to take advantage of all these opportunities.
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