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Every brace and disc foundation is drawn with the patience of a man who knew the Florida reef takes ships the way salt takes iron
The portrait belongs to that long aftermath
the Brooklyn Bridge strung like a harp over the East River
**STRETCHED CANVAS**
Thomas A. Hendricks 1884 San_Francisco_city Every brace and disc foundationThomas A. Hendricks 1884 the Indiana Democrat rendered in campaign portrait dignity the year he ran second on Cleveland's winning ticket, a vice presidency he would scarcely live to serve. The lithograph carries the careful gravity of Gilded Age politics, where a sober profile was its own argument. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional
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