TEMPLATE BALANCING masterclass Don't miss this one

Don't miss this one

To be most useful our virtual orchestras need to behave like real ones

In this class I'll show you how I handle this unusual beast - what I avoid trying to do virtually how I approximate certain otherwise-impossible effects

They’re one-offs about things like: developing ideas modulating runs and flourishes writing for small groups negotiating with a difficult director notation deliverables… a huge cross-section of topics

TEMPLATE BALANCING masterclass Don't miss this oneTo be most useful our virtual orchestras need to behave like real ones. With a properly balanced template real world orchestrations work virtually which lends realism to our music and improves our orchestration skill. In this class we'll cover template balancing and how various articulations should sound when properly dynamic (e. g. the loudest pizz strings are much quieter than bowed ones). We'll talk about the differences between small and large