Stanley Turrentine with The Three Sounds: Blue Hour UHQCD ETJS-3.2 from the Coltrane-influenced “Semi-Octo” to

from the Coltrane-influenced “Semi-Octo” to soulful reads of standards from Hammerstein/Kern

The cutting-edge 1969 session Medina—which wouldn’t be first released until 1980 as part of the LT Series—documented one of Hutcherson’s most remarkable band line-ups featuring two of his frequent collaborators—Harold Land on tenor saxophone and flute and Joe Chambers on drums—along with Stanley Cowell on piano and Reggie Johnson on bass

In The Wee Small Hours Of The Morning

Pianist Herbie Hancock showcased the full breadth of his artistry on his masterful fourth Blue Note album

Stanley Turrentine with The Three Sounds: Blue Hour UHQCD ETJS-3.2 from the Coltrane-influenced “Semi-Octo” toBlue Note, 1963 UHQCD Japanese import. Specially remastered from originals by Kevin Gray. Presented in a UHQCD jewel case with obi strip and the original sleeve notes. Catalog Number: UCCQ 9712. Alfred Lions inspired idea to pair tenor saxophonist Stanley Turrentine with The Three Soundsthe trio featuring pianist Gene Harris, bassist Andrew Simpkins, and drummer Bill Dowdyon 1960s Blue Hour produced one of most deeply soulful hard bop outings in the