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his likeness fixed in the steady
Portrait of John Marshall Holding a Book After a Painting by Henry Inman
and the Buffalo River winding past dogwood and limestone
19th Century — a New Year's broadside in the old newsboy tradition
Family Picture for the Million, 1888 framed sleigh his likeness fixed in theFamily Picture for the Million, 1888 a parlor chromolithograph pitched at the new middle class, its title alone betraying the era's faith that even domestic sentiment could be mass produced and sold by the thousand to households hungry for the trappings of refinement. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and the
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