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Damian Ortega: Masks product her final projects were digital

Description

her final projects were digital

always alternating between photo- and typographic details

which – like an “empty container” – permit every signification and do not limit imagination

A historical overview of New York-based painter Mary Obering’s works from 1972 to 2012

Damian Ortega: Masks product her final projects were digitalAMIDST QUARANTINES AND LOCKDOWNS, DAMIN ORTEGA (1967, MEXICO CITY, MEXICO) HOSTED A PARANORMAL MASQUERADE. INVITED WERE A PHILANTHROPIC OGRE, A SWEET RODENT, A FREAK BROTHER, FERTILITY GHOST, GIACOMETTI DUMPLING, ACUPUNCTURISTA, A TANGO SINGER, AND SELF EMPLOYED PIG, OTHERS TOO: A STRANGE GANG FASHIONED OF BOTTLE CAPS, TANGLES OF STRING, TORTILLAS, GOURD SHELLS, CACTUS LEAVES, AND COINSWHATEVER ORTEGA COULD FIND AROUND THE HOUSE. MASKS WELCOMES YOU TO

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