Fergus Feehily Industrial Design Ancient surfaces and architectures ripple

Ancient surfaces and architectures ripple with evidence of their deep time

Federal Office of Culture (Bern)

isn’t it simply a way in which to appropriate his own work

transformation and coming-of-age amongst marginalised communities in the heart of the Amazon

Fergus Feehily Industrial Design Ancient surfaces and architectures rippleOIL, CARPET TACKS, ACRYLIC, GESSO, GOUACHE, TWIGS, THE OCCASIONAL SPRAY PAINT, PENCIL, DABS OF WATERCOLOR, FOUND PHOTOGRAPHS, FOUND FRAMES, BANDAGES, A PAPER BAG OR TWO, SCREWS, ALUMINIUM FOIL, SWEET WRAPPERS, SCRAP WOOD. THE MARGINAL MEETS IN THE PAINTINGS OF FERGUS FEEHILY (1968, DUBLIN, IRELAND), PAINTINGS THAT THEMSELVES STAND AT THE PERIPHERY OF CONTEMPORARY PAINTERLY CONVENTIONS WHOSE SUBTLE ACTIVITY, AS MARTIN HERBERT OBSERVES, IS ON ITS WAY