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The beauty
and surface tension converge
Across cultures and histories
plate 0448
how a photograph can look like a traditional vanitas painting pheasant figurative The beautyThe Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,
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