HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi which became renowned thanks to

which became renowned thanks to the Nō theater adaptation of the same title

Magnelli chose linocut and lithography as experimental workshops to translate the order already explored with the collages of the Grasse Group

come nel libro Hinauta tsuki kuwashi del 1803

The representation of the rhythms of collective labor indeed finds significant precedents in other works of his

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi which became renowned thanks toBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New